Saturday, November 22, 2008

Sejarah Piano

Asal mula kata piano sebenarnya adalah pianoforte, yang berasal dari bahasa Italia. Piano dibuat oleh Bartolomeo Cristofori pada tahun 1720-an. Awal mula piano diciptakan, suaranya tidak sekeras piano yang dapat didengar pada abad 20-an. Pasalnya, tegangan tuts piano kala itu tidaklah sekuat piano yang sekarang.

Kini, piano pertama tersebut dipajang di Metropolitan Museum of Art di New York. Seperti pada banyak penemuan yang lainnya, piano ditemukan berdasarkan penemuan teknologi.Asal muasalnya, piano dikembangkan dari alat musik kecapi. Perbedaannya, kecapi dimainkan dengan dipetik. Sedangkan piano ditekan tuts-tutsnya.

Secara umum, piano termasuk ke dalam kelompok musik instrumental. Piano memproduksi suara dari getaran papan suara yang volumenya dapat diperkuat (dapat diatur besar kecilnya).

Secara luas, piano di dalam musik dapat menjadi performa pada nyanyian tunggal dan sebagai pengantar nyanyian solo. Dalam artian, piano dapat hidup dan mengiringi penyanyi tanpa bantuan atau iringan alat musik lain. Suara yang dihasilkan piano sudah dapat mewakili alat musik lainnya. Meskipun demikian, piano akan lebih berarti lagi didengar dengan bantuan alat musik lain. Yang perlu ditekankan di sini, piano dapat mengalun indah tanpa bantuan alat musik lain. Tidak sama halnya dengan alat musik lain, yang kurang enak didengar tanpa dilengkapi piano. Banyak musik-musik instrumen yang bersinar karena andil dari piano.

Perkembangan Piano

Pada akhir periode 1790 sampai 1860, piano era Mozart mengalami perubahan yang hebat, dimana instrumen modern semakin terlihat memimpin. Pada revolusinya, piano banyak mendapat dukungan dari komposer dan pianis-pianis terkenal yang mengiringi perkembangannya. Sehingga piano dalam musik semakin memiliki power yang tinggi. Teknologi dalam pembuatan piano pun semakin menggunakan alat-alat berteknologi tinggi.

Dalam beberapa waktu, gaya suara piano meningkat. Dari 5 oktav menjadi 7 1/3 (atau bahkan lebih) oktav, ini menandakan piano semakin modern. Kemajuan teknologi ini banyak bersumber dari perusahaan di Inggris, Broadwood. Selama bertahun-tahun, instrumen buatan Broadwood mengalami perkembangan menjadi lebih banyak jenisnya, lebih baik suaranya, juga dikemas secara baik dan rapi.

Perusahaan Broadwood mengirim piano mereka kepada Hadyn dan Beethoven. Cakupan kemampuan piano yang mereka kirim itu lebih dari lima oktaf. pada tahun 1790an, tahun 1810 menyusul menjadi enam oktav, sampai pada tahun 1820 akhirnya menjadi tujuh oktav. Sampai-sampai banyak perusahaan pembuat piano mengikuti trend ini.

Bercerita tentang piano sama halnya seperti menceritakan seorang superstar. Seperti layaknya seorang superstar, piano yang terkenal itu juga banyak dikagumi berbagai kalangan. Piano bisa masuk dalam industri musik dan perfilman, yang dengan mudahnya dilihat dan didengar siapa saja.

Sejak tahun 1830-an, konser piano selalu di idolakan banyak penggemar musik. Setiap para pianis terkenal menggelar konsernya, kerap kali dipadati oleh para penggemar. Mereka selalu berbondong-bondong mengantri tiket konser piano seperti semut. Karena bagaimanapun juga, piano bisa masuk ke hampir seluruh musik terkenal.

Contoh pada ke-27 konser piano yang digelar Mozart. Konser ini benar-benar merupakan konser musik instrumental yang tanpa bantuan iringan penyanyi ternyata tetap dapat lebih dinikmati. Inilah kehebatan yang dimiliki alat musik piano. Permainan pada konser piano bisa terlaksana dengan baik secara solo (sendirian), duo (berdua), trio (bertiga), maupun kuartet (berempat). Hal ini telah dibuktikan sejak lama oleh para pianis terkenal seperti Mozart, Hadyn, Beethoven, Schubert, Schumann, Mendelssohn dan Brahms.

Salah satu peran piano dalam industri perfilman adalah sebagai alat musik yang mengiringi jalannya film tersebut. Dapatkah loe membayangkan jika film yang loe tonton tidak didukung oleh latar belakang musik? Piano sangat lekat dengan alur-alur cerita dalam film. Jika pada film itu ceritanya sedih, diputarkanlah alunan musik piano yang lagunya sedih atau melow, sedangkan jika film itu seru (misalnya film aksi), maka diputarkanlah musik yang membuat adrenalin naik. Kesemua ini senantiasa diperankan oleh piano. from http://simphonymusic.com

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The History of the Bass

The Life and Art of Bass Playing by Tony Levin
In the beginning there was a bass. It was a Fender, probably a Precision, but it could have been a Jazz - nobody knows. Anyway, it was very old ... definitely pre-C.B.S. And God looked down upon it and saw that it was good. He saw that it was very good in fact, and couldn't be improved on at all (though men would later try.) And so He let it be and He created a man to play the bass.

And lo the man looked upon the bass, which was a beautiful 'sunburst' red, and he loved it. He played upon the open E string and the note rang through the earth and reverberated throughout the firmaments (thus reverb came to be.) And it was good. And God heard that it was good and He smiled at his handiwork. Then in the course of time, the man came to slap upon the bass. And lo it was funky. And God heard this funkiness and He said, "Go man, go." And it was good.

And more time passed, and, having little else to do, the man came to practice upon the bass. And lo, the man came to have upon him a great set of chops. And he did play faster and faster until the notes rippled like a breeze through the heavens. And God heard this sound which sounded something like the wind, which He had created earlier. It also sounded something like the movement of furniture, which He hadn't even created yet, and He was not so pleased. And He spoke to the man, saying "Don't do that!"

Now the man heard the voice of God, but he was so excited about his new ability that he slapped upon the bass a blizzard of funky notes. And the heavens shook with the sound, and the Angels ran about in confusion. (Some of the Angels started to dance, but that's another story.) And God heard this - how could He miss it - and lo He became Bugged. And He spoke to the man, and He said, "Listen man, if I wanted Jimi Hendrix I would have created the guitar. Stick to the bass parts."

And the man heard the voice of God, and he knew not to mess with it. But now he had upon him a passion for playing fast and high. The man took the frets off of the bass which God had created. And the man did slide his fingers upon the fretless fingerboard and play melodies high upon the neck. And, in his excitement, the man did forget the commandment of the Lord, and he played a frenzy of high melodies and blindingly fast licks. And the heavens rocked with the assault and the earth shook, rattled and rolled.

Now God's wrath was great. And His voice was thunder as He spoke to the man. And He said, "O.K. for you, pal. You have not heeded My word. Lo, I shall create a soprano saxophone and it shall play higher than you can even think of." "And from out of the chaos I shall bring forth the drums. And they shall play so many notes thine head shall ache, and I shall make you to always stand next to the drummer." "You think you're loud? I shall create a stack of Marshall guitar amps to make thine ears bleed. And I shall send down upon the earth other instruments, and lo, they shall all be able to play higher and faster than the bass."

"And for all the days of man, your curse shall be this; that all the other musicians shall look to you, the bass player, for the low notes. And if you play too high or fast all the other musicians shall say "Wow" but really they shall hate it. And they shall tell you you're ready for your solo career, and find other bass players for their bands. And for all your days if you want to play your fancy licks you shall have to sneak them in like a thief in the night." "And if you finally do get to play a solo, everyone shall leave the bandstand and go to the bar for a drink." And it was so.

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Double Bass

History of the Double Bass by Rodney Slatford Reproduced with the publishers' consent from The New Grove Dictionaryof Music and Musicians® edited by Stanley Sadie, in twenty volumes, 1980, ©Macmillan Publishers Limited, London. Research into the evolution of the double bass reveals a tangled web of several hundredyears of changes in design and fashion in the dimensions of the instrument andconsequently in its stringing and tuning. The picture is further complicated by thesimultaneous use during any one period of different forms of bass in different countries.The earliest known illustration of a double bass type of instrument dates from 1516 but in1493 Prospero wrote of 'viols as big as myself.' Planyavsky (1970) pointed out that it ismore important to look for an early double bass tuning rather than for any particularinstrument by shape or name. A deep (double- or contra-) bass voice is first found amongthe viols. There existed simultaneously two methods of tuning - one using 4ths alone, theother using a combination of 3rds and 4ths ('3rd-4th' tuning). Agricola wrote of the contrabassodi viola as being the deepest voice available. He was referring to an instrumentcomparable with that made by Hanns Vogel in 1563 and now in the GermanischesNationalmuseum, Nuremberg. This ornately and beautifully decorated bass is fitted with gutfrets like other viols and tuned G'-C-F-A-d-g. This high '3rd-4th' tuning was given byPraetorius (Syntagma musicum, 2/1619) for a six-string violone (a name alsoconfusingly used in the 16th century to denote the bass of the viol family). He listedseveral other tunings, both high and low, for five- and six-string violoni. Mostinteresting of all is the low tuning D'-E'-A'-D-G, only one step removed from the modernE'-A'-D'-G instrument. Orlando Gibbons scored for the 'great dooble base' in two violfantasias. Whether a low '3rd-4th' tuning was used or a higher one cannot be certain. Some fine basses, many of which were probably converted from their original form in tothree- or later four-string instruments, date from the late 16th century and early 17th. Anotable three-string bass, originally built as such, is that by Gasparo da Salò, owned byDragonetti and now in the museum of St. Mark's, Venice. A beautiful six-string violone ofmuch lighter construction by Da Salò's apprentice Giovanni Paolo Maggini is in theHorniman Museum, London. This is of violin shape, with a flat back, and makes interestingcomparison with the viol shaped violone by Ventura Linarol (Padua, 1585) in theKunsthistorisches Museum, Vienna. During the early 17th century the five-string bass was most commonly used in Austriaand Germany. Leopold Mozart referred in the 1787 edition of his Violinschule tohaving heard concertos, trios and solos played with great beauty on instruments of thiskind. The earliest known playing instructions, by Johann Jacob Prinner (MusicalischerSchlissl, 1677, autograph US-Wc) are for an instrument tuned F'-A'-D-F#-B. Muchmore usual, however, is the tuning F'-A'-D-F#-A cited in 1790 by Albrechtsberger, for aviolone or contrabass with thick strings and frets tied at every semitone round thefingerboard. Michel Corrette's 1773 Méthode throws much light on the basstechniques and tunings in use during the 18th and early 19th centuries when the bass wasenjoying some popularity as a solo instrument. Many of the virtuoso pieces from theViennese school of that period and later abound with passages of double stopping and, inview of the tunings required, were thought by early 20th-century authorities not to havebeen written for the bass at all. Later research revealed that the instrument has in thepast been tuned in some 40 or 50 different ways; although the repertory is quite practicalwith the tunings the composers envisaged (e.g. one of the '3rd-4th' tunings), much isunplayable on the modern conventionally tuned instruments. There are in fact numerous soloconcertos from this period. In Italy an early tuning (cited by Planyavsky, 1970) is Adriano Banchieri's of 1609 forhis 'Violone in contrabasso', D'-G'-C-E-A-d. Later the number of strings was reduced, andthree-string instruments were preferred. Even during the early 18th century a three-stringbass tuned A'-D-G or G'-D-G was normal. It had no frets and with the growth of thesymphony orchestra it was logical that his more powerful instrument should supersedeearlier models. Not until the 1920s was the additional E' string expected of mostprofessional players. Until then any passages going below A' were transposed up an octave,resulting in the temporary disappearance of the 16' line.

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Friday, November 21, 2008

Ibanez

Bass IBANEZ

Newsmusik Edisi 04 / 2001 – Roy & Andree

Sejak bass elektrik dipopulerkan pada akhir dekade 50-an, teknik permainannya pun mengalami perkembangan pesat. Pemain bass tidak lagi 'hanya' menjaga irama, melainkan juga sesekali memainkan lead. Pada dekade 60-an, Paul McCartney sudah menerapkan komposisi seperti itu. Kemudian disempurnakan oleh John Paul Jones pada dekade selanjutnya. Puncaknya adalah ketika pada 80-an Cliff Burton benar-benar memainkan lead bass seperti layaknya lead guitar.

Dengan perkembangan seperti itu, kemudian dirasakan bahwa bass standar empat senar memiliki keterbatasan. Jangkauan range nada yang hanya sekitar tiga oktaf dirasa kurang. Oleh sebab itu kemudian dibuat bass 5 senar dengan tambahan senar B rendah. Dan kepuasan bermain lead bass benar-benar terpenuhi dengan bass 6 senar yang mempunyai senar C tinggi. Tetapi bass dengan senar banyak tersebut juga memiliki kelemahan. Neck yang lebar agak menyulitkan para pemain, terutama yang memiliki tangan yang tidak besar.

Karena itu Ibanez membuat bass Soundgear yang mempunyai neck yang tipis. Perusahaan itu memang dikenal sebagai pembuat gitar dengan spesifikasi seperti itu. Sehingga teknik-teknik bermain dapat dilakukan dengan sempurna. Pada produk Soundgear keluaran baru ini, dilakukan lagi sejumlah penyempurnaan. Seperti pada elektronik dan pickup-nya yang didesain khusus untuk menjangkau nada yang lebih lebar dengan adanya senar B rendah dan C tinggi tersebut. Dengan begitu, nggak ada masalah untuk memainkan segala jenis musik macam R&B, metal atau jazz kotemporer.

Spesifikasi Umum

Neck menggunakan bahan kayu wendge dan bubbinga. Dengan ketebalan 20.0mm pada fret pertama dan 22.0 pada fret ke-12. Bentuk neck menyerupai huruf U. Sambungan dengan body sistem bolt on all access. Kepalanya berbentuk khas Soundgear dengan kemiringan 14 derajat ke belakang.

Sedangkan fingerboard-nya berbahan wendge dengan lebar 54.0mm pada fret ke-0 (nut) dan 83.0mm pada fret ke-24. Radiusnya 500mm dengan scale (jarak nut dengan bridge) 34” atau 864mm. Jumlah fret 24 buah dengan tanda posisi (nomor fret) berbentuk oval dan terbuat dari kerang.

Body-nya terbuat dari kayu mahoni dengan potongan (cutaway) di bagian atas dan bawah. Untuk hardware-nya (tuner dan bridge) menggunakan plating hitam. Sedangkan tuner-nya (pemutar senar) sendiri adalah Gotoh GB 70 die cast (baja) dan bridge-nya adalah mono-rail model terpisah (pengait senar dan saddle berdiri sendiri-sendiri). Pengait strap-nya juga dari Gotoh dengan freelock.

Pickup-nya ADX6 dengan konfigurasi dual soapbar, yaitu pickup besar berjumlah dua buah. Pada posisi neck dipakai DXP-MN6 dan pada bridge DXP-MB6. Elektroniknya merupakan piranti aktif dengan batere 9 volt. Tombol kontrolnya--termasuk equalizer 3 bandada 6 buah yaitu volume, balance, treble, bass, midrange dan midfreq. Dari keenam tombol ter-sebut, empat di antaranya bertumpuk berpasangan, khas Soundgear.

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Soekarno

Sukarno (June 6, 1901 – June 21, 1970) was the first President of Indonesia. He helped the country win its independence from the Netherlands and was President from 1945 to 1967, presiding with mixed success over the country's turbulent transition to independence. Sukarno was forced out of power by one of his generals, Suharto, who formally became President in March 1967.

[edit] Name

The spelling "Sukarno" has been official in Indonesia since 1947 but the older spelling Soekarno is still frequently used, mainly because he signed his name in the old spelling. Official Indonesian presidential decrees from the period 1947-1968, however, printed his name using the 1947 spelling.

Indonesians also remember him as Bung Karno or Pak Karno.[1] Like many Javanese people, he had only one name; in religious contexts, he was occasionally referred to as 'Achmad Sukarno'. [2]

[edit] Background

The son of a Javanese school teacher and his Balinese wife from Buleleng regency, Sukarno was born in Blitar, East Java in the Dutch East Indies (now Indonesia). He was admitted into a Dutch-run school as a child. When his father sent him to Surabaya in 1916 to attend a secondary school, he met Tjokroaminoto, a future nationalist. In 1921 he began to study at the Technische Hogeschool (Technical Institute) in Bandung. He studied civil engineering and focused on architecture.

Atypically, even among the colony's small educated elite, Sukarno was fluent in several languages. In addition to the Javanese language of his childhood, he was a master of Sundanese and of Indonesian, and especially strong in Dutch. He was also quite comfortable in German, English, and French. Sukarno once remarked that when he was studying in Surabaya, he often sat behind the screen in movie theaters reading the Dutch subtitles in reverse because the front seats were only for elite Dutch people.

In his studies, Sukarno was "intensely modern," both in architecture and in politics. Sukarno interpreted these ideas in his dress, in his urban planning for the capital (eventually Jakarta), and in his socialist politics. For Sukarno, modernity was blind to race, neat and Western in style, and anti-imperialist.[3]

[edit] Independence struggle

See also: Dutch Ethical Policy and Indonesian National Revival

Sukarno became a leader of a pro-independence party, Partai Nasional Indonesia, when it was founded in 1927. He opposed imperialism and capitalism because he thought both systems worsened the life of Indonesian people.

He also hoped that Japan would commence a war against the western powers and that Java could then gain its independence with Japan's aid. He was arrested in 1929 by Dutch colonial authorities and sentenced to two years in prison. By the time he was released, he had become a popular hero. He was arrested several times during the 1930s and was in jail when Japan occupied the archipelago in 1942.

[edit] World War II and the Japanese occupation

See also: Japanese occupation of Indonesia

In early 1929, during the so-called Indonesian National Revival, Sukarno and fellow Indonesian nationalist leader Mohammad Hatta (later Vice President), first foresaw a Pacific War and the opportunity that a Japanese advance on Indonesia might present for the Indonesian independence cause.[4] In February 1942 Imperial Japan invaded the Dutch East Indies quickly over-running outmatched Dutch forces who marched, bussed and trucked Sukarno three hundred kilometres to Padang, Sumatra. They intended keeping him prisoner, but abruptly abandoned him to save themselves.[5]

The Japanese had their own files on Sukarno and approached him with respect wanting to use him to organise and pacify the Indonesians. Sukarno on the other hand wanted to use the Japanese to free Indonesia: "The Lord be praised, God showed me the way; in that valley of the Ngarai I said: Yes, Independent Indonesia can only be achieved with Dai Nippon...For the first time in all my life, I saw myself in the mirror of Asia."[6]

Subsequently, indigenous forces across both Sumatra and Java aided the Japanese against the Dutch but would not cooperate in the supply of the aviation fuel which was essential for the Japanese war effort. Desperate for local support in supplying the volatile cargo, Japan now brought Sukarno back to Jakarta. He helped the Japanese in obtaining its aviation fuel and labor conscripts, called sukarela in Indonesian and Romusha in Japanese. Sukarno was lastingly ashamed of his role with the romusha.[7] He also was involved with Peta and Heiho (Javanese volunteer army troops) via speeches broadcast on the Japanese radio and loud speaker networks across Java. By mid-1945 these units numbered around two million, and were preparing to defeat any Allied forces sent to re-take Java.

On November 10, 1943 Sukarno was decorated by the Emperor of Japan in Tokyo. He also became head of Badan Penyelidik Usaha Persiapan Kemerdekaan Indonesia (BPUPKI), the Japanese-organized committee through which Indonesian independence was later gained. On 7 September 1944, with the war going badly for the Japanese, Prime Minister Koiso promised independence for Indonesia, although no date was set.[8] This announcement was seen as immense vindication for Sukarno's apparent collaboration with the Japanese.[9]

[edit] Early independence

See also: Indonesian National Revolution and Liberal Democracy Era in Indonesia (1950-1957)

Following the Japanese surrender, Sukarno, Mohammad Hatta, and Dr. Radjiman Wediodiningrat were summoned by Marshal Terauchi, Commander-in-Chief of Japan's Southern Expeditionary Forces in Saigon. Sukarno initially hesitated in declaring Indonesia's independence. He and Mohammad Hatta were kidnapped by Indonesian youth groups to Rengasdengklok, west of Jakarta. Finally Sukarno and Hatta declared the independence of the Republic of Indonesia on August 17, 1945.

Sukarno's vision for the 1945 Indonesian constitution comprised the Pancasila (Sanskrit - five principles). Sukarno's political philosophy, Marhaenism, was guided by (in no particular order) elements of Marxism, nationalism and Islam. This is reflected in the Pancasila, in the order in which he originally espoused them in a speech on June 1, 19451:

  1. Nationalism (with a focus on national unity)
  2. Internationalism ('one nation sovereign amongst equals')
  3. Representative democracy (all significant groups represented)
  4. Social Justice (Marxist influenced)
  5. Theism (with a secular bent)

In the same speech, he argued that all of the principles of the nation could be summarized in the phrase gotong royong.[10] The Indonesian parliament, founded on the basis of this original (and subsequently revised) constitution, proved all but ungovernable. This was due to irreconcilable differences between various social, political, religious and ethnic factions2.

Sukarno's government initially postponed the formation of a national army, for fear of antagonizing the Allied occupation forces and their doubt over whether they would have been able to form an adequate military apparatus to maintain control of seized territory. The various militia groups at that time were encouraged to join the BKR -- Badan Keamanan Rakyat (The People's Security Organization) -- itself a subordinate of the "War Victims Assistance Organization". It was only in October 1945 that the BKR was reformed into the TKR -- Tentara Keamanan Rakyat (The People's Security Army) in response to the increasing Dutch presence in Indonesia. In the ensuing chaos between various factions and Dutch attempts to re-establish colonial control, Dutch troops captured Sukarno in December 1948, but were forced to release him after the ceasefire. He returned to Jakarta in December 28, 1949. At this time, Indonesia adopted a new federal constitution that made the country a federal state. This was replaced by another provisional constitution in 1950 that restored a unitary form of government. Both constitutions were parliamentary in nature, which--on paper--limited presidential power. However, even with his formally reduced role, he commanded a good deal of moral authority as Father of the Nation.

Sukarno's government was not universally accepted in Indonesia. Indeed, many factions and regions attempted to separate themselves from his government, and there were several internal conflicts even during the period of armed insurgency against the Dutch. One such example is the leftist-backed coup attempt by elements of the military in Madiun, East Java in 1948, in which many supporters of communism were allegedly executed.

There were further attempts of military coups against Sukarno in 1956, including the PRRI-Permesta rebellion in Sulawesi supported by the CIA, during which an American aviator, Allen Lawrence Pope, operating in support of the rebels was shot down and captured. 6

[edit] 'Guided Democracy' and increasing autocracy

Sukarno resented his figurehead position and used the increasing disorder to intervene more in the country's political life. Claiming Western-style democracy wasn't suitable for Indonesia, he called for a system of "guided democracy" based on what he called traditional Indonesian principles. The Indonesian way of deciding important questions, he argued, was by way of prolonged deliberation designed to achieve a consensus. He proposed a government based not only on political parties but on "functional groups" composed of the nation's basic elements, in which a national consensus could express itself under presidential guidance.

During this later part of his presidency, Sukarno came to increasingly rely on the army and the support of the Communist Party of Indonesia (PKI).

In the 1950s he increased his ties to China and admitted more communists into his government. He also began to accept increasing amounts of Soviet bloc military aid. This aid, however, was surpassed by military aid from the Eisenhower Administration, which worried about a leftward drift should Sukarno rely too much on Soviet bloc aid. However, Sukarno increasingly attempted to forge a new alliance called the "New Emerging Forces", as a counter to the old superpowers, whom he accused of spreading "Neo-Colonialism, Colonialism and Imperialism" (NEKOLIM). His political alliances gradually shifted towards Asian powers such as the PRC and North Korea. In 1961, this first president of Indonesia also found another political alliance, an organization, called the Non-Aligned Movement (NAM, in Indonesia known as Gerakan Non-Blok, GNB) with Egypt's President Gamal Abdel Nasser, India's Prime Minister Pandit Jawaharlal Nehru, Yugoslavia's President Josip Broz Tito, and Ghana's President Kwame Nkrumah, in an action called The Initiative of Five (Sukarno, Nkrumah, Nasser, Tito, and Nehru). This action was a movement to not give any favour to the two superpower blocs, who were involved in the Cold War.

The Bandung Conference was held in 1955, with the goal of uniting developing Asian and African countries into a non-aligned movement to counter against the competing superpowers at the time. In order to increase Indonesia's prestige, Sukarno supported and won the bid for the 1962 Asian Games held in Jakarta. Many sporting facilities such as the Senayan sports complex (now Bung Karno Stadium), and supporting infrastructure were built to accommodate the games. There was political tension when the Indonesians refused the entry of delegations from Israel and Taiwan.

On November 30, 1957, an assassination attempt was made by grenade attack against Sukarno when he was visiting a school in Cikini, Central Jakarta. Six children were killed, but Sukarno did not suffer any serious wounds. In December he ordered the nationalization of 246 Dutch businesses. In February he began a crackdown on the PRRI rebels at Bukittinggi.

These PRRI rebels, a mix of anti-communist and Islamic movements, received arms and aid from Western sources, including the CIA, until J. Allan Pope, an American pilot, was shot down after a bombing raid in northern Indonesia in 1958. The CIA sent arms to rebel movements on Sumatra as well as Sulawesi. The downing of this pilot, together with impressive victories of government forces against the PRRI, evoked a shift in US policy, leading to closer ties with Sukarno as well as Major General Abdul Haris Nasution, the head of the army and the most powerful anti-communist in the Jakarta government.

Sukarno also established government control over media and book publishing as well as laws discriminating against Chinese permanent residents (China Totok). On July 5, 1959 he reestablished the 1945 constitution by presidential edict. It established a presidential system which he believed would make it easier to implement the principles of guided democracy. He called the system Manifesto Politik or Manipol--but was actually government by decree. He sent his opponents to internal exile.

In March 1960 Sukarno dissolved the elected Assembly (Dewan Perwakilan Rakyat) and replaced it with an appointed Assembly--the Gotong Royong Parliament.

In August Sukarno broke off diplomatic relations with the Netherlands over Dutch New Guinea (West Papua.) After West Papua declared itself independent in December 1961, Sukarno ordered raids on West Irian (Dutch New Guinea). There were more assassination attempts when he visited Sulawesi in 1962. West Irian was brought under Indonesian authority in May 1963 under the Bunker Plan.

In July of the same year People's Consultative Assembly (Majelis Permusyawaratan Rakyat) proclaimed Sukarno as President for Life.

Sukarno also opposed the British-supported Federation of Malaysia, claiming that it was a neocolonial plot to advance British interests. In spite of his political overtures, which was partly justified when some political elements in British Borneo territories Sarawak and Brunei opposed the Federation plan and aligned themselves with Sukarno, Malaysia was proclaimed in September 1963. This led to the Indonesia-Malaysia confrontation (Konfrontasi) and the end of remaining US military aid to Indonesia. Sukarno withdrew Indonesia from the UN membership in 1965 when, with US backing, the nascent Federation of Malaysia took a seat of UN Security Council. Sukarno's increasing illness was demonstrated when he collapsed in public in August 9, 1965, and he was secretly diagnosed with kidney disease.

[edit] Removal from power

On the night of 30 September 1965, six of Indonesia's most senior generals were killed by a movement calling themselves the "30 September Movement (G30S)." With much of its senior leadership killed or missing, Major General Suharto, commander of the Army's strategic reserves, took control of the army the following morning.[11] Suharto issued an ultimatum to the Halim Air Force Base, where the G30S had based themselves and where Sukarno (the reasons for his presence are unclear and were subject of claim and counter-claim), Air Marshal Omar Dhani and Aidit had gathered. By the following day, it was clear that the incompetently organised and poorly coordinated coup had failed.[12] By 2 October, Suharto's faction was firmly in control of the army. Sukarno's obedience to Suharto's 1 October ultimatum to leave Halim is seen as changing all power relationships.[13] Sukarno's fragile balance of power between the military, political Islam, communists, and nationalists that underlay his "Guided Democracy" was now collapsing.[14]

In early October, a military propaganda campaign began to sweep the country, successfully convincing both Indonesian and international audiences that it was a Communist coup, and that the murders were cowardly atrocities against Indonesian heroes.[15] The PKI's denials of involvement had little effect.[16] The army led campaign to purge Indonesian society, government and armed forces of the communist party and other leftist organisations. Leading PKI members were immediately arrested, some summarily executed.[17] The purge quickly spread from Jakarta to the rest of the country, and the worst massacres were in Java and Bali.[18] (see: Indonesian killings of 1965–66) The situation varied across the country; in some areas the army organised civilian groups and local militias, in other areas communal vigilante action preceded the army.[19] The most widely accepted estimates are that at least half a million were killed.[20] Many others were also imprisoned and for the next ten years people were still being imprisoned as suspects. It is thought that as many as 1.5m were imprisoned at one stage or another.[21] As a result of the purge, one of Sukarno's three pillars of support, the Indonesian Communist Party, had been effectively eliminated by the other two, the military and political Islam.

On March 11, 1966, Suharto and his supporters in the military forced Sukarno to issue a Presidential Order called Supersemar (Surat Perintah Sebelas Maret -- The March 11 Order), in which Sukarno gave orders to Suharto only to restore peace and order, not to transfer of power to him. After obtaining the Presidential Order, Suharto had the PKI declared illegal and the party was abolished. He also arrested many high ranking officials that were loyal to Sukarno on the charge of being PKI members and/or sympathizers, further reducing Sukarno's political power and influence. In 1991 a government minister admitted that the national archives only possessed a copy of this letter, and in 1992 another government minister called for whoever is in possession of the original document to submit it to the national archives. However, there is testimony from several eyewitnesses who claim that such a document did exist and that the copy in the archives is a faithful reproduction of the original.

Sukarno was stripped of his presidential title by Majelis Permusyawaratan Rakyat (Provisional Peoples Representative Assembly) on March 12, 1967, led by his former ally, Nasution, and remained under house arrest until his death at age 69 in Jakarta in 1970. He was buried in Blitar, East Java, Indonesia. In recent decades, his grave has been a significant venue in the network of places that Javanese visit on ziarah and for some is of equal significance to those of the Wali Songo.

While the semi-official version of the events of 1965-1966 claims that the Indonesian Communist Party (PKI) ordered the murders of the six generals, others blame Sukarno, and still others believe Suharto orchestrated the assassinations to remove potential rivals for the presidency.[22]

[edit] Family

Megawati Sukarnoputri, who served as the fifth president of Indonesia, is his daughter by his wife Fatmawati. By another wife, a Japanese art student (some sources say geisha) named Naoko Nemoto (now known as Ratna Sari Dewi Sukarno), he had a daughter Kartika. [23] Kartika Sukarno married, in 2006, Frits Seegers, the Netherlands-born chief executive officer of the Barclays Global Retail and Commercial Bank. [24]

http://en.wikipedia.org/wiki/Sukarno

Sukarno
Sukarno

In office August 18, 1945 – March 12, 1967
Prime Minister Sutan Sjahrir Amir Sjarifoeddin Muhammad Hatta Abdul Halim Muhammad Natsir Sukiman Wilopo Ali Sastroamidjojo Burhanuddin Harahap Djuanda Kartawidjaja (Position abolished in 1959)
Vice President Muhammad Hatta
Preceded by Position created
Succeeded by Suharto

Born June 6, 1901(1901-06-06) Blitar, Dutch East Indies
Died June 21, 1970 (aged 69) Jakarta, Indonesia
Political party none
Spouse Fatmawati
Religion Muslim

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